Number 13 from Out on Buford Highway

Cho Sun OK Korean Restaurant is at 5865 Buford Highway. I ate there with a group early on a Saturday afternoon last February. I'm not terribly familiar with Korean food, so I just sat back and tried a little of everything. The myriad of kimchi was a revelation to me. I've never been fond of things pickled, but the flavors, textures, and spiciness of what was served was astonishing. The dumplings and fish egg soup were most excellent. And the staff was warm and helpful. I'm told the restaurant has changed hands since I was there, so I hope the quality has been maintained.

Dumplings surrounded by kimchi, Pentax K-5IIs, 16-50mm lens, ISO 1600, 1/60 @ f/2.8

Fish egg soup, Pentax K-5IIs, 16-50mm lens, ISO 1600, 1/50 @ f/2.8

Barbeque, Pentax K-5IIs, 16-50mm lens, ISO 3200, 1/60 @ f/2.8

Owner Hu Bok Chong, Nikon D600, 20-35mm lens, ISO 1600, 1/40 @ f/2.8

Waitress Jeong So (Miss Park), Pentax K-5IIs, 16-50mm lens, ISO 1600, 1/50 @ f/2.8

Waitress Kyung Sook Han, Nikon D600, 20-35mm lens, ISO 1600, 1/100 @ f/2.8

Number 12 from Out on Buford Highway

Pollo Norteno is at 2501 Chamblee-Tucker Rd. just east of Buford Highway. I haven't eaten there yet, but I'm told it's very good. I love the way it was glowing this night, just before the sun went down.

Nikon D600, 20-35mm lens, ISO 100, 1/200 @ f/5.6

Number 11 from Out on Buford Highway

Taqueria El Ray Del Taco, 5288 Buford Highway, is a fun Mexican joint. The outside is covered with colorful designs and the inside is a garish explosion of greens and blues. It will definitely wake you up if you need it. The staff is friendly and most speak English pretty well if you need a menu item explained. The house Margarita is good, but the real stand outs to me are their shrimp enchiladas. It's a big portion (not that I really care about that) and the green sauce is truly outstanding. It's quite spicy hot, but it's a slow burn that I wasn't aware of until the third or fourth bite. There was plenty of time to enjoy the great flavors before the heat set in. Very nice!

Nikon D600, 20-35mm lens, ISO 100, 1/640 @ f/5.6

Nikon D600, 20-35mm lens, ISO 100, 1/60 @ f/8

Fuji X-E1, 18mm f/2 lens, ISO 800, 1/105 @ f/2.8

Fuji X-E1, 18mm f/2 lens, ISO 800, 1/40 @ f/2.8

The Lastolite Tri Flip Kit Reflector

When you open my Kata backpack, the first thing you see is a large flat compartment with a 33" Lastolite TriGrip Reflector in it. This is a fairly indispensable item to own. It's relatively small, light, and can be used in a bunch of different ways.  The primary way I use it is as a fill for my portraits. When I light, I almost never use a second light to fill shadows. The fact is I love shadows- they give faces shape and character. But I want to control just how dark they are. In some situations they need to be inky dark, in others barely there, and, most of the time, somewhere in between. Using a reflector to bounce a little light into those shadows gives me the control I need.

Generally, I use the TriGrip with the Trigrip bracket . Although this bracket includes an arm so you can attach a shoe mount strobe, I took this off. The arm made it a little bulky to carry in my backpack and I figured if I needed to use the Tri Grip as a diffuser, I had other options. I generally put one end of the bracket on a light stand and on the other I attached the reflector with a Super Clamp . The bracket has a double ball joint which makes it infinitely adjustable, so I can place the reflector in any position I need.

The TriGrip has some features I really like. Unlike other collapsible reflectors, it has a  built in handle with a velcro strap. If I'm working with an assistant, this makes it really easy for them to hold wherever I need it. The kit also comes with two reversible covers with different surfaces. These include black, silver, gold, half silver, half gold, and others. They slip over the translucent white stock surface and essentially give you 8 tools in one. The black can be especially useful if you want to put an outdoor subject in the shade and then light them with a strobe. Or the silver can be used to bounce a little sparkle into your subjects face on a cloudy day or when you have to shoot under florescent lights in an office situation. And using the translucent white as a diffuser on a sunny day to soften that hard (and often hideous) light can allow you to make an attractive portrait in less than opportune conditions.

The Kata Beetle 282 Backpack

At the heart of my "Studio in a Backpack" is the Kata Beetle 282 backpack. There are a lot of things I like about this pack, but let me tell you about a few of them. It's a fully adjustable pack, just like sophisticated camping packs and it has both shoulder straps and a waist belt with dual adjustments. What seems like a minor detail, but one that I particularly like, is found on the long straps that adjust the waist support. They have little velcro tabs attached that allow you to secure the long ends of the straps when you've found the right length. This may seem like a little thing, but not having lengthy flopping straps is a really nice touch.

Another feature that makes this pack unusual is the fact that it opens from the side holding the supports. With most similar packs, you put the pack down with the straps on the ground and then zip it open from the reverse side. This means that you put the side you're soon going to put on your back in the dirt, mud, and crud, thus transferring that stuff onto yourself. With this Kata, you put the opposite side down and open the pack from the straps side, keeping the side that goes against your body clean. Smart design, if you ask me.

Once the pack is open, you see the Kata feature that seems very simple, but no other companies have followed- that is, the interior of the pack is bright yellow instead of the usual black.  This means that it's much easier to find your black cameras and lenses when the lights are dim. Again, it seems like a little thing, but if you've ever fumbled around looking for a certain lens or body and you can't find it because black on black renders it invisible, you know what I mean. It's a very nice detail.

The rest of the 282 is what you'd expect from a quality camera bag. It has a fully customizable interior, allowing you to set it up with multiple configurations. There's plenty of cushioning to protect your gear, in case you have to check it with the airlines. There's a laptop compartment that accommodates a 17 inch computer. You can even get an optional wheel system ( Kata calls it the Insert Trolly) so you don't have to carry the pack if you don't want to.

This pack sells for around $ 290.00 in the US and I think it's worth every penny. If you'd like to learn more you can check it out on the Kata site .

My next post will discuss the items carried on the outside of the pack.

Studio in a Backpack

In early 2010 I was lucky enough to live, travel, and photograph in small towns and villages throughout Europe for three months. You can read about it here . I had a specific look I was trying to accomplish in the photographs I produced and I put together very specific gear in order to do that. You can see some of the pictures I did there on my web site .  

Over the last year or so I’ve been doing workshops covering my “Studio in a Backpack” and I’ve been asked if I could publish a list of the items in that notorious pack. So here it is. Keep in mind that I had another case with various chargers, cords, and back-ups that I left in my room when I was shooting, but this is exactly the outfit I carried when I went out to photograph. Over the next weeks I’ll be posting follow-ups every few days with more detailed descriptions, estimated prices, and the reasons I chose those particular tools. For now, here goes.

Kata Beetle 282 Backpack

2- Manfrotto 5001B lightstand

2- Elinchrom Varistar umbrella-softbox 33”

Gitzo #1541 Series One tripod with #GH1781QR Series One quick release ball head

Lastolite TriFlip  30” 8 in 1 Grip Reflector Kit

Lastolite Trigrip Bracket

Manfrotto 026 Swivel Umbrella Adapter

2- Manfrotto 035RL Super Clamp with Standard Stud

2 each- Manfrotto #118 and 119 studs

2- Manfrotto 039 U-Hook

Metz Mecablitz 58 AF-2 shoe mount flash

Metz P76 Power Pack

Metz Mecalux 11 Hot Shoe Slave

FlashZebra.com Item #0126 Female Hotshoe to Elinchrom Skyport adapter

Elinchrom Skyport Universal Starter Kit

Elinchrom Ranger Quadra Head A Pro Set

Gossen Digisky and/or Digipro F light meter

small roll black gaffer's tape

various CF cards, straps, cords, etc.

Cameras to be discussed in a later post